Open -
Harvey Dunn Imagining Others gallery shot

In all his works, Harvey Dunn desired to go beyond the mere depiction of physical likeness, stating in his credo: “The spirit is the only thing that is true about anything. So the expression of this spirit—that is the main thing.†This exhibition celebrates Dunn’s desire to fully and deeply render truths about humanity. His instruction to students is a fitting lesson: “Feel your picture, get into it, be the character you are painting. Feel his joys, his sorrows, think him, put yourself in his shoes.â€

A Privilege

“You should approach your pictures on bended knee, thanking God that you are one of those permitted to see the beauty of things. Love your pictures, don’t approach them with the attitude of being their master, but humbly, thankful of the privilege.â€
–Harvey Dunn

A Universal Language

“Art is a universal language, and it is so because it is the expression of the feelings of man. Any man can look at a true work of art and feel kin to it and with him who made it— for he has the same number of heartbeats a minute, comes into the world to face the same joys, sorrows and anticipations, the same hopes and fears. A vastly different vision may arise in the consciousness at the mention of a word, but our feelings are the same. By this you may know that the Brotherhood of Man is.â€
–Harvey Dunn

Paint the Smells

"Paint the smells into your picture. When you paint an old barn, smell the odors that are in old barns, old straw, manure and mice. When you paint the smells in your picture, you will have real artistic feeling in it. Don't get so intimate with your subject that you lose sight of your picture."

–Harvey Dunn

Inner Emotion

"When we see a beautiful picture let us realize that we're seeing what that man dug out of himself. If he made a beautiful picture he is beautiful inside. He couldn't do it otherwise… Let us dig down inside to find the beautiful. We all have it. Let us take our opportunities… to express what we desire of beauty."

–Harvey Dunn

One's Outlook

"If you are painting a very gruesome subject, paint it as very beautiful or see it in a humorous light. In painting a dead man, remember that he seems to be part of the ground, there is a complete absence of life."

–Harvey Dunn

The Point of View

"Never make puppets of your people, let them live their own lives. Get their point of view, after all the point of view is the most important thing."

–Harvey Dunn

Knowing the Limits

"Don't be hampered with the limitations of natural phenomena, paint your sky green and your trees pink if you feel they should be so. But know nature as it really is, grass is not often blue green, It is generally yellow green, even quite bronze sometimes. A blue sky may look quite warm, but contrast it with the ground and you may find its very cool."

–Harvey Dunn

Romance

"If you are painting a picture of romance, think romance, live romance, be full of it when you approach your canvas."

–Harvey Dunn

Harvey Dunn, The Prairie is My Garden, oil on canvas, 1950
Harvey Dunn, The Prairie is My Garden
oil on canvas, 1950
Harvey Dunn, May Street
Harvey Dunn, May Street
oil on canvas, 1922
Harvey Dunn, Guillotine
Harvey Dunn, Guillotine
oil on canvas, c. 1937
Harvey Dunn, Meeting with the Chiefs
Harvey Dunn, Meeting With the Chiefs
oil on canvas, 1917
Harvey Dunn, Battleground
Harvey Dunn, Battleground (The Refugee)
oil on canvas, c. 1920
Harvey Dunn, The Abandoned Farm, oil on canvas, n.d.
Harvey Dunn, The Abandoned Farm
oil on canvas, n.d.
Harvey Dunn, After School, oil on canvas, 1950
Harvey Dunn, After School
oil on canvas, 1950
Harvey Dunn, After the Blizzard, oil on canvas, n.d.
Harvey Dunn, After the Blizzard
oil on canvas, n.d.
Harvey Dunn, The Devil's Vineyard
Harvey Dunn, The Devil's Vineyard
oil on canvas, n.d.
Harvey Dunn, In the Open Sea, oil on canvas, 1928
Harvey Dunn, In the Open Sea
oil on canvas, 1928
Harvey Dunn, Happy Hunting Ground, oil on canvas, n.d.
Harvey Dunn, Happy Hunting Ground
oil on canvas, n.d.
Harvey Dunn, Jedediah Smith in the Badlands, oil on canvas, 1947
Harvey Dunn, Jedediah Smith in the Badlands
oil on canvas, 1947
Harvey Dunn, The Liberator, oil on canvas, 1916
Harvey Dunn, The Liberator
oil on canvas, 1916
Harvey Dunn, Seafarer, oil on paper, 1922
Harvey Dunn, Seafarer
oil on paper, 1922
Harvey Dunn, Simba's Nostrils Widened and His Eyes Flashed. "He Says He Was Taught Shooting by Bwana Kingozi," oil on canvas, 1917
Harvey Dunn, Simba's Nostrils Widened and His Eyes Flashed. "He Says He Was Taught Shooting by Bwana Kingozi"
oil on canvas, 1917
Harvey Dunn, Stan Didn't Steal No Money, oil on paperboard, 1917
Harvey Dunn, Stan Didn't Steal No Money
oil on paperboard, 1917
Harvey Dunn, "He and Harris Shot Every Man of Them Dead," oil on paperboard, 1906
Harvey Dunn "He and Harris Shot Every Man of Them Dead"
oil on paperboard, 1906
Harvey Dunn, untitled (man's bust), oil on canvas, n.d.
Harvey Dunn, untitled (man's bust)
oil on canvas, n.d.
Harvey Dunn, untitled (reclining man and woman), oil on canvas, n.d.
Harvey Dunn, untitled (reclining man and woman)
oil on canvas, n.d.
Harvey Dunn, untitled (late summer landscape), oil on panel, 1949
Harvey Dunn, untitled (late summer landscape)
oil on panel, 1949
Harvey Dunn, untitled (Lost in Desert, vultures gathering), oil on canvas, 1935
Harvey Dunn, untitled (Lost in Desert, vultures gathering)
oil on canvas, 1935
Harvey Dunn, Bersha Dunn, oil on canvas, n.d.
Harvey Dunn, Bersha Dunn
oil on canvas, n.d.
Harvey Dunn, True Stories of Crime, oil on canvas, 1907
Harvey Dunn, True Stories of Crime
oil on canvas, 1907
Harvey Dunn, Street Fighting, oil on canvas, 1928
Harvey Dunn, Street Fighting
oil on canvas, 1928
Harvey Dunn, Motherhood, oil on canvas, 1927
Harvey Dunn, Motherhood
oil on canvas, 1927
Harvey Dunn, Injuns, oil on canvas, 1943
Harvey Dunn, Injuns
oil on canvas, 1943
Harvey Dunn, Study in Red, oil on paper, n.d.
Harvey Dunn, Study in Red
oil on paper, n.d.
Harvey Dunn, The Return, oil on canvas, n.d.
Harvey Dunn, The Return
oil on canvas, n.d.
Upcoming
-
-